Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jacopo Amigoni 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
68500		Amigoni Bildnis einer Dame	Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
67771		Barbara de Braganza	1750(1750) Oil painting
70836		Bildnis einer Dame als Diana	128 x 94 cm,
77974		Carlo Broschi, Farinelli	Date between 1750(1750) and 1752(1752) Medium Oil on canvas Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in). cyf
67639		Full resolution	Full resolution‎ (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg) Juno Receiving the Head of Argos
78867		infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade	Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia. Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen). Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie. Español: es:Marxa Antonieta de España Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge. Polski: pl:Maria Antonia Burbon ca. 1750(1750) Oil on canvas cjr
28069		Joseph in Pharaob's Palace	mk61 Oil on canvas 325x283cm
3242		Juno Receives the Head of Argus	c1730 Moor Park, Rickmansworth
58203		Juno Receiving the Head of Argos	Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire.
77007		Juno Receiving the Head of Argos	Date between 1730(1730) and 1732(1732) Medium Oil on canvas cyf
29053		Jupiter and Callisto	mk65 Oil on canvas 24 1/2x30"
81689		Maria Antonietta of Spain	1750(1750) Medium Oil on canvas cyf
70121		Marquis of Ensenada	Medium Oil painting Dimensions 104 x 124 cm
76919		Portrait of a Gentlemen in Blue Jacket	1st half of 18th century Oil on canvas 102 cm (40.2 in). Height: 127 cm (50 in). cjr
80702		Portrait of a Lady	1st half of 18th century Medium Oil on canvas cyf
80148		Portrait of Barbara de Braganza	Date 1750(1750) Medium Oil cyf
78290		Portrait of Caroline Wilhelmina of Brandenburg-Ansbach	1735(1735) Medium Oil on canvas Dimensions 2,439 x 1,524 cm (960.2 x 600 in) cyf
96771		Portrait of Maria Anna of Sulzbach	circa 1740(1740) Medium oil on canvas cyf
80153		Portrait of Marquis of Ensenada	1750(1750) Oil on canvas 104 x 124 cm cjr
84060		Portrait of Marquis of Ensenada	1750(1750) Medium Oil on canvas Dimensions 104 x 124 cm cyf
82760		Portrait of the Infanta Maria Antonia Fernanda	1750(1750) Medium Oil on canvas cyf
98112		Princess Royal and Princess of Orange	1736(1736) Medium oil cyf
32585		Recreation by our Gallery	mk79
28684		The Finding of Joseph's Cup in Benjamin's Bag	mk61 c.1748 Oil on cnavas 281x355cm
67624		Venus and Adonis	c. 1740 Oil on canvas 45 X 75 cm (17.72 X 29.53 in)
67638		Venus and Adonis	Technique Oil on canvas Dimensions 45 X 75 cm (17.72 X 29.53 in)
69984		Venus and Adonis	Medium Oil on canvas Dimensions 045 X 75 cm
77962		Venus and Adonis	Date ca. 1740(1740) Medium Oil on canvas cyf
83237		Venus and Adonis	Date first half of 18th century Medium Oil on canvas Dimensions Height: 142 cm (55.9 in). Width: 173 cm (68.1 in). cjr
87314		Venus and Adonis	first half of 18th century Medium Oil on canvas cyf

Jacopo Amigoni

1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.

All the Alma Tadema's Oil Paintings

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